Since we discovered our sensitivity to our phorias, my son and I are getting our lives back, one pair of glasses at a time! I am playing the electric violin and my son is playing the guiro.
Working with my phorias (eye gaze and muscle imbalance) I require lot of pairs of glasses. This is because my phorias move around a lot. I can test myself with the maddox rod test to find out where my phorias are and then choose the glasses to treat that phoria. Sometimes the glasses are on point and sometimes they are not quite on point but they will do. Sometimes I am surprised by which glasses help me. They don’t seem to quite match the test results. Sometimes one eye partially suppresses to allow my other eye to take up the reigns for a while. This could be better than the experience of both eyes fighting.
What I learnt is that my lenses are just bits of plastic with prism in that can help me. I play around with them like someone trying on shoes or hats. I enjoy them – my trial prism lenses are very precious to me! Some I have from a set of trial lenses and some I just popped out of a pair of cheap glasses that I bought with just prism in. So far it has been impossible to buy 0.25 diopter prism trial lenses so I had to do the popping out thing for these. I also sometimes combine glasses – wear one pair and fold the arm back on another to use the lens as an extra one. I work with any resources I can find to learn about my eyes and establish a relationship with them and my experience of the changing light.
Working with prisms is not an exact science. My husband who is no-where near me on the scale of sensitivity was trying out some prisms to find the up and down rotation. He found that for prism diopter 3 – 5 he was actually experiencing the prism upside down. The image was moving in the direction he didn’t expect. We didn’t have any answers for that. That was a mystery. In the same way prisms are doing mysterious things for me every day. I don’t fully understand how my brain relates to prism but it definitely likes it!
Prisms lenses – just bits of plastic that might help you!
Simply ask yourself these questions:
Do I sometimes:
Feel as if my eye is being pulled or stretched (this being even more extreme outside sometimes?)
Have extreme light sensitivity
Lack co-ordination for no apparent reason?
Struggle to walk in a straight line?
Feel as if my eyes are fighting with each other?
Struggle to focus on something because I am distracted by the background (subject and background both demanding the same attention?)
Have cognitive processing difficulties and feel easily overloaded by information?
Feel as if mentally I am going round and round in circles?
Feel that my eyes can never rest, even at night?
If you answer yes to some or all of these questions, then you could be sensitive to your phorias (direction of gaze). You may be aware of small muscle imbalances that occur when you change direction of your gaze. This could occur as a result of being stressed or tired but with more sensitive people, it can be triggered simply by changes in the ambient light. These imbalances, though subtle can have a massive impact on your quality of life.
If you would like to know more please go to Help with Your Vision or just get in touch and have a chat.
What is a phoria?
A phoria is a latent (hidden) eye deviation. The eyes appear to be straight, but when covering an eye and breaking fusion, the eyes assume a position away from normal alignment. Most people have a very small phoria if tested, but a large phoria makes it hard to keep the eyes aligned. This could occur as a result of being stressed, tired and it can be triggered by changes in the light.
If a large amount of phoria exists, your eyes are will not rest on the subject you are focusing on. Your gaze will move elsewhere. Keeping both eyes fixated on your chosen subject requires an effort by you.
However, a sensitive person can be affected by a small phoria. People not sensitive may be able to ignore any small amounts of distortion but sensitive people can’t. Any lack of congruency, any deviation from the whole is a problem for the sensitive person.
I Have Four of Them!
UP OUT (uncorrected) – makes me feel like the right side of my head is fuzzy and it affects the nerves in my shoulders and arms. I feel pulled away from what I am trying to think about.
OUT (uncorrected) – makes me feel that I can’t think clearly at all. I don’t want to think about anything outside of my immediate experience. Everything feels too much.
IN (uncorrected) – makes me feel trapped like I can’t see out. I feel like I can’t move. I am inflexible.
IN OUT (uncorrected) makes me feel low hearted and negative. My body aches especially the muscles in my legs, and my knees feel suddenly weak.
All I Need is Prisms
How simple can that be? Fixing these problems with just a pair of glasses? But it works. All you need is a prism sending your gaze back in the direction you intended it to be in. Phorias could play a part in depression, anxiety, fatigue, dyspraxia, ADHD and more . . .
If you would like help looking to see if you or your child have a hidden phoria, please get in touch below. One simple appointment, one pair of glasses and you could feel like you have your life back, or you could know what life is for the first time!
We need direction to use power. We need power to use direction
Our experience of power in life can be affected by astigmatism
Our experience of direction in life can be affected by Strabismus (squint)
Neither always show themselves in the darkness of the optician’s room. If you are sensitive or suspect processing issues, ask to get checked in the daylight.
When children say that they don’t want to wear something or eat something, it is not a disorder. It is a gift. They are basically saying that the piece of clothing that we are asking them to wear, or the food we are asking them to eat are not a match for their deeper selves in that moment.
Your child is likely picking up information about their environment that you as the parent may just not perceive. They may know that the light is slightly more blue today and so they shouldn’t wear a deep blue dress. They may know that the light is slightly more red today so the pink top they wore yesterday will overpower them. They may know that the light feels a little more blue today and that means they can only eat crunchy food and they won’t like scratchy textures or harsh sounds. They may know that the light feels a little more red today and they need something soft on their plate and would like something soft to cuddle.
What your child has is a gift to detect the subtle changes in energy inside them and all around them because they detect subtle changes in the light spectrum. If they are given the support to hone their gift, they will be able to use it to nourish themselves and make themselves and others feel good. Without the right kind of support and by medicating the problem, their gift could be lost to the world for ever.
How I see the spectrum often makes me feel that I am watching TV in HD and then someone has turned the setting up one notch further. I feel that the branches on the sky are a little more pronounced than is comfortable and all of my 3D perception is very subtly altered.
My perception of sound is also altered meaning that sounds stand out more than is comfortable. I am constantly aware of every sound around me. This means the world can feel a bit harsh or stark. I tend to prefer to be in places where there is less clutter and less intrusive sound. Struggling to process movement also adds to my difficulty with being in busy places. And I struggle to engage with practical activities such as cooking.
Now my fourteen year old son is different to me. It seems that he may have the experience of waching TV in low definition. Things aren’t unclear or fuzzy but they seem to be more blended. He doesn’t like clothes with tags on because he says they look tatty. He worried that he had wrecked our plastic kitchen chair when he dropped some raspberry on it from his apple and raspberry crumble. He can’t seem to see stains as separate from the object that they are staining. He is distressed by a spot of blood on anything. He checks all our cutlery for marks before eating his lunch. He struggles to engage with practical tasks such as spreading pate on his crackers.
My son’s perception of sound is also altered. He is fine with mechanical sounds like a spinning washing machine but really struggles with speech and can’t tolerate one note of singing. I wonder if sounds are too blended for him. He is happy listening to a YouTuber who has removed all the gaps in his speech so sounds like he hardly takes breath! He doesn’t struggle to process movement. He likes it. He thrives on having buzz around him as long as he doesn’t need to engage with it practically.
I am much more likely to be over-stimulated. My son is much more likely to be under-stimulated.
And this is why my son loves cities! Well, for a short burst of time anyway!
I often see too much blue and not enough red. When red tones are missing, nothing feels complete.
When I went back to school as a child the trees were losing their leaves and they didn’t feel compete.
The pumpkin of October didn’t feel complete and even less so with holes in.
The flames dancing around on the fire in November hurt my eyes and didn’t feel complete.
The presents and tree of Christmas didn’t feel complete. The colours and patterns of my clothes didn’t feel complete.
The colours, shapes and patterns of the food on my plate didn’t feel complete.
People’s voices, music, the sound of a bath tap didn’t feel complete.
A hug or a kind word didn’t feel complete.
Nothing felt complete until New Year when there was a bit more blue and red light and my hope of completion started to rise. By Easter things were feeling better and by my Birthday in May I could process the patterns on my new Birthday cardigan.
And then in June, that old feeling of incompleteness started back again. On a sunny day when all looked so beautiful, the garden felt incomplete, the beach, the hills, the woods – they all felt incomplete. And vegetables and meat started to become very slightly blue and colours appeared in general a bit drained, like someone was forgetting to add red to the world. I felt unsafe from September to December but now it was a different feeling of being unsafe – the light felt brash and harsh and I could feel exposed and lost. So my ‘normal’ is to feel ‘incompleteness.’
As an adult I understand it. It is all about my perception. The world doesn’t change like I think it does. My perception does.
My experience has taught me to trust and taught me to have faith. These are the two things that are constant in my life. These things are unchanging.
When we perceive more blue light than red light, we see the world in higher definition.
When we perceive more red light than blue light, we see the world in lower definition.
When we see in high definition we can feel separate and lonely. We can find it hard to gather and maintain our energy. We can find it hard to drink in from the world and feel part of the world.
When we see in low definition, we can feel that everything is a bit too blended. Life doesn’t draw us in and we can’t quite get hold of things. We can feel tired, apathetic, depressed, as if we have no clear use or purpose.
Look at the photograph at the top. Do you want to walk into the picture and pick up the marble or do you feel you can’t reach it or do you feel oblivious?
If you feel you can’t reach it, you may not perceive enough blue light today.
If you feel oblivious, you may not perceive enough red light today.
If you want to pick it up, then you are just fine the way you are!
I wanted to be balanced – I really did – but that is not my destiny.
I live in a nearly continuous state of imbalance because of my reaction to the light spectrum. In fact, if the light ever feels balanced, I feel quite lost and don’t know what to do with myself!
Today for instance – another cloudy rainy day in the UK. Thankfully I perceive enough green light to feel open hearted. However, I don’t feel grounded (low red light), I always have my friend, the violet light, though, energising, inspiring and pushing me on to higher and greater things.
I can do much with my perception of violet light. I can get to the heart of things and put on my analytical creative hat. I can work with data and make deductions and build theories. I wouldn’t become the crazy analyst if the light was balanced. I am pretty sure I would be doing something a lot more mundane!
Balance is nice if you can get it but maybe a little ordinary. It is imbalance that leads you into the extra-ordinary and and if you hold its hand, it will take you on the most exciting journey!